In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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兄弟俩一开始的隔阂大概是弟弟留在爱尔兰打理农场但哥哥去了伦敦在线视频偷国产觉得母子俩遭到背叛?但只有爱尔兰人和英格兰人才能理解这种?而且这是我猜的短篇里的转折逻辑也是强行的可以但凡看过十部以上好电影的应该都接受不了也不知道一些时候戛然而止的音乐和瞬间切换的镜头在干嘛虎头蛇尾的唯一可奖的可能是配乐让观众听了一首Irish Country